Phil Broker (Jason Statham) is a former undercover DEA agent who gives up his badge and the lifestyles after his action against a biker gang went horribly wrong and it cost the life of his boss’ son. A recent widow who is left with a 9 year old daughter Maddy, Broker decides to retire to a small town to get away from everything. After his daughter fights off a boy who was bullying her at school, Broker finds himself caught as this sets in motion a round of events that end in his direct confrontation with the local Meth drug lord Gator (James Franco). Broker has a mission in his mind to protect his daughter and even with is past coming back to haunt him he remains determined to keep his daughter safe.
Written by Sylvester Stallone as a vehicle for himself, the film ended up staring his Expendables co-star when he decided he might not be the best fit for the role anymore. Homefront has some very solid action set pieces and features decent performances from its leads Statham and a kind of slumming Franco and packs the background with familiar faces. Kate Bosworth puts in some solid work as Gator’s sister; the mother of the bully Maddy defends herself against, as does Winona Ryder as a junkie/love interest that helps Gator. Clancy Brown, Omar Benson Miller, Frank Grillo and Rachelle Lefevre all show up in supporting turns as well.
Marty Kaan (Don Cheadle) and the Pod return for a new season of mischief, mergers and mayhem in the second season of Showtime’s House of Lies, now available on DVD. After the devastation of the sexual harassment scandal at the end of season one, Galweather Stern re-emerges under the leadership of new interim CEO Julianne Hofschrager (Bess Armstrong). The Pod goes through entanglements of its own as Jeannie (Kristen Bell) and Marty struggle to remember the details of their drunken hookup, Clyde (Ben Schwartz) struggles to retain his freewheeling ways and Doug (Josh Lawson) finally finds a girl to settle down with. On the homefront, Marty has to cope with the loss of his son Roscoe (Donis Leonard Jr.) as he moves in with his mother, Marty’s Ex Monica (Dawn Olivieri) and the strain that puts on the relationship with his own father (Glynn Turman).
Along for the ride this season are guest stars Nia Long as an old flame/rival of Marty’s, Adam Brody emerges as a suitor for Jeannie and Jenny Slate takes on the role of Doug’s better half Sarah. They have the unenviable task of cracking one of the best ensemble casts on television right now, (more…)
Well its contest time again here at the Fix and this time we have a K-Pop Superstar in the sizzling Korean spy thriller Commitment! The Korean spy/actioner hits store shelves this Tuesday, March 11th, and thanks to the amazing folks at Well Go USA we have 3 Blu-ray copies to give away!
Korean Rap/Pop Superstar CHOI Seung-hyun (aka T.O.P of the K-pop boy band Big Bang) plays the son of a North Korean spy who decides to follow in his father’s footsteps in order to protect his little sister in the action-packed spy thriller COMMITMENT, debuting on Blu-ray™, DVD and Digital March 18th from Well Go USA Entertainment. While attending high school in South Korea, he rescues a girl (KIM Yoo-jeong) when she is attacked. South Korean Intelligence soon discovers the plot and begins closing in on him, while his own government sends a vicious assassin to eliminate him. Directed by PARK Hong-soo, the cast also includes HAN Ye-ri (Dear Dolphin, South Bound), JEONG Ho-bin (Shadowless Sword), and JO Sung Ha (Pluto, The Yellow Sea). Bonus materials include a behind-the-scenes “Making-of” featurette. (more…)
Dallas. November 22, 1963. 12:38pm. Wounded President John F. Kennedy is rushed to Parkland Memorial Hospital, where a frantic trauma team struggles in vain to save him. Precisely forty-eight hours later, the same personnel would attend to the President’s mortally wounded assassin, Lee Harvey Oswald. Adapting Vincent Bugliosi’s acclaimed non-fiction book Four Days in November, first-time writer-director Peter Landesman gathers a star-studded cast (including Zac Efron, Paul Giamatti, and Academy Award-winners Billy Bob Thornton and Marcia Gay Harden) to deliver an ensemble based procedural drawn from the accounts of the medical staff, investigators, and the ordinary citizens who witnessed the world-changing events first-hand.
Now in stores on DVD, audiences will not find anything new or integral to the JFK Assassination in Parkland, this is not that film. Instead it remains content to merely play out and display the actions of the bystanders of that act. Parkland does manage to present better on the home screen though as the benefits of home viewing, being able to step away easily and pause when required, greatly helps the watchability of a film that felt dull and overlong in theaters. Not everything works though as the film features a story thread involving the secret service agent who originally interview Oswald months before that either needs to be more fleshed out or excised all together as it remains very underdeveloped and awkward. This is a straight procedural in every sense of the word, there is little character history or backstory that is explored, just the events of the 4 days are displayed.
Jon Martello Jr. (Joseph Gordon-Levitt) is a New Jersey bartender and womanizer. Yet, in spite of his ability to land sexual partners, Jon has a dirty secret: he’s hopelessly hooked on internet porn. For him, no real life bedmate, no matter how gorgeous or skilled, can compare to the endless parade of images he finds on the web. Even after what would seem an exhausting session in the sack, Jon still feels the call of his laptop. Jon’s routine seems fixed for life until he meets Barbara Sugarman (Scarlett Johansson). She’s a sassy Jersey girl who proves a rare challenge to his powers of seduction. But can he reveal to her his awkward addiction?
For his feature length directorial debut, ‘Don Jon’, Gordon-Levitt assembled an enviable cast, donned a wife beater and accent, and completely immersed himself in the character of Jon Martello Jr. The character is a drastic step away from anything else Gordon-Levitt has played, and he does a good job too, but the real shinning start here is Johansson. Playing a shallow bombshell that sees Jon as a ‘tool’ to manipulate, Johansson’s demanding Barbara is a departure from many of Johansson’s previous roles, a self-aware sexpot that uses every inch of her body to gain her advantage. Johansson delivers whenever she is onscreen, and unsurprisingly she helped a lot with Gordon-Levitt’s development of the Barbara Sugerman character. Upon a second viewing at home, Julianne Moore’s roles grows in impact and influence as it’s a real and assured performance that anchors the last third of the film.
Roz (Robin Wright) and Lil (Naomi Watts) are the best of friends, and have been since childhood growing up as neighbors in an idyllic beach town. As adults, their teenage sons have developed a friendship as strong as that which binds their mothers. One perfect summer the boys, along with their mothers, are confronted by the simmering emotions that have been mounting between them. What follows is a film that aims to be provocative and taboo breaking, but falls far short of the mark.
The premise of two mothers who are best friends becoming lovers with each other’s sons sounds like it should be ripe for psychological exploration and some difficult questions. Adore though seems content to present sappy melodrama with little consequence and explanation put into the actions of the foursome. The script is poorly conceived, subjecting the film’s leads with some awful dialogue to portray. The film is filled with so many shots of longing stares into the distance that the audience can’t help but wonder if the actors were simply looking for something better to do.
“Junkie” is a pitch black comedy about two heavily addicted, drug addled brothers, Danny (Daniel Louis Rivas) and Nicky (Robert LaSardo). When Danny decides he’s going clean, Nicky reacts aggressively, driving Danny from one insane experience to another. As Danny’s life spirals out of control he must fight tooth and nail to kick the habit and rescue himself from the personal hell Nicky has consigned him to, whilst simultaneously attempting to repair the deeply damaged relationships with his bizarre set of friends and family.
Junkie is a bit of a mess of a film doesn’t quite get cleaned up by the end. The film starts with a very inventive title sequence that is immediately negated by a story that plays like a very poor man’s take on David Fincher’s Fight Club. In fact the entire first half of the just over 80 (more…)