The newest project based on a Disney Theme Park attraction to be turned into a film, after the Pirates of the Caribbean films and others like The Country Bears and and The Haunted Mansion, Tomorrowland comes from the mind of one of Disney’s most reliable director’s Brad Bird. After taking on the last Mission Impossible film, Ghost Protocol, Bird returns to the house of mouse to direct George Clooney, Hugh Laurie and others in his attempt to make the once fantastical Tomorrowland into a summer blockbuster.
Casey Newton (Britt Robertson) is a dreamer that will not stop fighting. When her beloved NASA is set to tear down the Cape Canaveral launch site, and also put her father out of work, Casey sabotages the demolition equipment to slow the process. Eventually Casey is caught, but her actions catch the eye of Tomorrowland recruiter Athena (Raffey Cassidy) who sets her on a collision course with another former Tomorrowland recruit of her’s, Frank Walker (George Clooney). But Athena’s mission is no longer just recruitment as the Tomorrowland of old no longer exists and is struggling under the leadership of Nix (Hugh Laurie). But can Athena’s recruits save the day, and the land of tomorrow? (more…)
As US forces inhabit Afghanistan in October of 2001 in search of their enemy number one Osama Bin Laden, the US military starts bombarding the country with flyers from planes above promising riches beyond compare for the information/capture of Taliban terrorists. For 22 members of China’s Uyghur minority that just happen to be living in the country after fleeing oppression in their native land, this turns out to be a disastrous turn of events. The Turkish-speaking Muslims are sold to US forces under false accusations and propaganda where they become some of the first accused terrorists illegally detained at Guantanamo Bay. (more…)
Since this year marks the 9th annual for the Toronto After Dark Film Festival (TAD for short), we will run down 9 of the most anticipated film playing this year, in what looks to be one of the strongest overall lineups of the festival’s history.
If you haven’t already procured tickets for tonight’s opening film then you better get down there really early for the rush line! Housebound had been leaving genre fans ecstatic for months now after a wildly successful festival run. The horror comedy from New Zealand about a haunted house has been a major crowd pleaser everywhere it has played. If its half as good as What we do in the Shadows, another New Zealand horror comedy that debuted at TIFF this year, then it should be a major hit.
ABC’s of Death 2
While the first ABC’s was uneven and even downright awful in parts this new incarnation features a brand new crop of talented filmmakers, some may argue its a more talented bunch but that is for them to debate, and more importantly perhaps this time around there was clear guidelines delivered for the filmmakers. The outcome, from word of mouth coming out of Fantastic Fest, is a film that is miles above its predecessor. (more…)
Now on Blu ray and DVD, Disney’s “Muppets Most Wanted” sees the entire Muppets gang embarking on a global tour that includes Berlin, Madrid, Dublin and London. But, as usual, mayhem follows the Muppets as they find themselves unwittingly entangled in an international crime caper to stela the crown jewels. This nefarious plot is headed by Constantine—the World’s Number One Criminal and a dead ringer for Kermit—and his dastardly sidekick Dominic (Ricky Gervais). Meanwhile, Kermit is detained behind bars by Nadya (Tina Fey), as Ty Burrell tracks all the shenanigans as Interpol agent Jean Pierre Napoleon.
Back in 2011, Jason Segel teamed up with writer Nicolas Stoller, songwriter Bret McKenzie and director James Bobin to reintroduce the Muppets to a new generation, while showing audiences who grew up on them exactly why they loved them as much as they had as children. The sequel brings back everyone minus Segel, which sadly leaves Muppets Most Wanted without a heart to its story, reducing the follow up to a series of sketches and cameos strung together with a threadbare plot that feels like The Muppets reimagined with a Family Guy mentality. To top it off the lovable Walter who was at the center of the previous film has been relegated to a ‘barely existing’ supporting role, something the film itself actually calls out.
After being set up as the cause of a terrible accident in a street race driver, causing the death of his friend after a fiery crash on a bridge, Tobey Marshall (Aaron Paul), a financially struggling custom-car builder and street-racer, spends two years in jail obsessed with gaining justice and revenge. Upon his release he borrows the fastest car his workshop ever built and sold, with a passenger Julia (Imogen Poots) in tow, and sets out to enter a secretive and extremely high-stakes race known as The DeLeon. As it just so happens the reigning and defending champion of the Deleon, Dino Brewster (Dominic Cooper), is also the other racer who was on that bridge that fateful day.
Straight off the final season of the hugely successful series “Breaking Bad” Aaron Paul lands his biggest leading man role to date with “Need for Speed”, and he certainly seems to be the man for the job. Need for Speed looks to win over the ‘gearhead’ crowd, an audience that has been dissatisfied with the new caper style film that the “Fast and Furious” franchise has leaned towards, by filling Need for Speed with some of the fastest and insanely expensive cars available. Furthermore, as a stark contrast to the Fast films all of the driving and crashes are shot practically, without the aid of digital effects, as director Scott Waugh has assembled perhaps one of the greatest stunt driving teams ever. The work pays off on screen as the stunt work looks fantastic and the film carries a throwback feel that harkens back to the work of legendary stunt co-ordinator/director Hal Needham.
Anchor Bay Entertainment brings 2 new action/thrillers from some of Hollywood’s newest action stars to home video with “Fast Five” and MMA star Gina Carano’s “In the Blood” and “Game of Thrones” and “Conan” (the remake) star Jason Momoa’s Road to Paloma. Both films back up our stars with recognizable supporting casts and promise a lot of action, but can they deliver a story beyond the fists?
“In The Blood” marks the second time Gina Carano has been the main star of a film after headlining the Steven Soderbergh 2011 film “Haywire” and Carano seems to be finding her niche in front of the camera. A no nonsense type of girl with a violent past, raised by a survival fanatic father played by “Avatar’s” Stephen Lang, Carano’s Ava is not afraid to let her fists do the talking, much to the surprise of her newlywed husband (Cam Gigandet). After her husband disappears, she goes on a one woman crusade to find his whereabouts, breaking 100’s of body parts along the way.
In the Blood is a fun action film, with some ridiculous twists and some very sloppy writing at parts that gets sillier as the film goes along, but is filled with some top notch fighting. Add in genre legends Danny Trejo, Treat Williams and Luis Guzman for supporting roles with “Prison Breaks’s” Amaury Nolasco as the picture’s big baddie and what results is a fun romp through the Caribbean. Carano’s leads the film with a confidence that was only evident in parts of Haywire, showing that she may be developing into the kick ass leading female action star Hollywood has wished she could be. The disc contains only 1 small special feature but the action is shot very well and the story never wains, and at around $20 new, In the Blood is a fairly solid investment.
“Road to Paloma” carries more of a personal investment for star Momoa in that he co-wrote, with co-star Robert Homer Mollohan, and made the film his directorial debut. The story of a Native American known simply as Wolf, who sought his own brand of justice after the murder of his mother, and his winding trip through native land to say goodbye to all he loves while being tracked by a vicious FBI agent, only concerned with bringing him down.
Also featuring a stellar supporting cast that includes Wes Studi as his father, Sarah Shahi as his sister, real life wife Lisa Bonet as a love interest and Timothy V. Murphy as the man tracking him down, Road to Paloma packs a more dramatic punch than what would be first expected. The action sequnces are few and far between in what becomes a more brooding and desperate trip across country in desperate attempt to disappear into the back country. Momoa does a decent job with the dramatic endeavours, helped greatly by his supporting cast, minus a flighty and uneven performance from co-writer Mollohan, as Bonet, Shahi, Murphy and Micheal Raymond-James as Wolf’s brother-in-law all deliver excellent performances. Momoa’s is a smart enough director to frame the action that does happen well and use the strong supporting characters to do the heavy lifting. The disc also only carries 1 special feature, but the film is a solid directorial debut that is worth the effort in the end.
Till Next Time
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