After being set up as the cause of a terrible accident in a street race driver, causing the death of his friend after a fiery crash on a bridge, Tobey Marshall (Aaron Paul), a financially struggling custom-car builder and street-racer, spends two years in jail obsessed with gaining justice and revenge. Upon his release he borrows the fastest car his workshop ever built and sold, with a passenger Julia (Imogen Poots) in tow, and sets out to enter a secretive and extremely high-stakes race known as The DeLeon. As it just so happens the reigning and defending champion of the Deleon, Dino Brewster (Dominic Cooper), is also the other racer who was on that bridge that fateful day.
Straight off the final season of the hugely successful series “Breaking Bad” Aaron Paul lands his biggest leading man role to date with “Need for Speed”, and he certainly seems to be the man for the job. Need for Speed looks to win over the ‘gearhead’ crowd, an audience that has been dissatisfied with the new caper style film that the “Fast and Furious” franchise has leaned towards, by filling Need for Speed with some of the fastest and insanely expensive cars available. Furthermore, as a stark contrast to the Fast films all of the driving and crashes are shot practically, without the aid of digital effects, as director Scott Waugh has assembled perhaps one of the greatest stunt driving teams ever. The work pays off on screen as the stunt work looks fantastic and the film carries a throwback feel that harkens back to the work of legendary stunt co-ordinator/director Hal Needham.
Jason (Zac Efron) is womanizer that always bails out of a relationship just as it gets serious. But when one of his best friends Mikey’s (Michael B. Jordan) wife asks for a divorce, all while sleeping with her divorce lawyer, Jason sees it as an opportunity to get his boys back together and hit the clubs. Along with Daniel (Miles Teller), the three best friends make a pack to stay single together and just have fun. But then Jason meets Ellie (Imogen Poots), who just might be the first girl who’s perfect for him, Daniel starts fooling around with gal pal Chelsea (Mackenzie Davis), and Mikey starts a secret last ditch attempt to win his wife’ s affection back.
That Awkward Moment is a film full of awkwardness and wasted talent. The normally engaging and accomplished Miles Teller and Michael B Jordan seem to be pulled down by the anchor that is the lackluster performance of Zac Efron. The wooden Efron sticks out like a sore thumb, and considering the adorable Imogen Poots can never not be loveable, it makes the chemistry between the two of them almost non-existent. Poots may be the only one who is really trying here as Teller seems to treating the film like summer school -constantly goofing off, adlibbing and riffing – and Jordan seems to have a constant “what am I doing here” look on his face. Any chemistry that the trio possess off-screen is lost in translation, which will make the prospects of the new Fantastic Four film with Teller and Jordan very interesting.
Starting an exclusive run at the TIFF Bell Lightbox this week is the new drama about a time early in the career of singer/songwriter Jeff Buckley before any of the acclaim and accolades, Greetings from Tim Buckley. The film explores the ups and downs and the impact that Jeff’s father had on his life and career through flashback sequences intermingled into the days leading up to the tribute show. As talented as both Buckley’s obviously were, the film struggles to succeed on its merits.
Greetings from Tim Buckley
Written by Emma Sheanshang, Dan Algrant and David Brendel
Directed by Dan Algrant
Starring Heather Wahlquist, Sienna Miller, David Morse, Gena Rowlands, Melanie Griffith, Lucy Punch, Max Theriot, Ray Liotta and Daveigh Chase
Written by Heather Wahlquist and Nick Cassavetes
Directed by Nick Cassavetes
Mary (Wahlquist) is a substitute teacher who flounders through her days with nonsensical daydreams and sneaking out to her car to drink mini-bar sized bottles of alcohol and pop at least 30 pain pills a day. Her shrink, or so we believe him to be, thinks she’s over-medicated and her complaints of not being able to feel anything stem from this. When Mary disappears into a broom closet to have sex with the parent of a student during a PTA meeting, even she knows she has gone too far. Broke after being fired by the school, she packs up her car and sets out alone on a road trip back to see her family to confront old…
View original post 560 more words