‘The Amazing Spider-Man 2’ does just enough right to outweigh its overstuffed script
The follow up to director Mark Webb’s reboot to the Spider-Man franchise slings itself into North American theaters this week after already amassing a hearty amount of box office cash overseas. In this outing of the masked web slinger, Peter Parker (Andrew Garfield) has settled into the life of a hero, with all the trappings of fame and glory that can cloud anyone’s judgement included, and despite the warning from the final moments of the first film, is still spending time with Gwen (Emma Stone). But soon new villains emerge to challenge Peter, the emergence of Electro (Jamie Foxx) and his old friend Harry Osborn (Dane DeHaan),and they all have seem to connect to Peter’s past and the ominous conglomerate known as Oscorp.
This outing of “The Amazing Spider-Man” is definitely a step up from the previous Mark Webb incarnation, the effects work is crisper and the ‘go pro video’ style incorporate d into the web slinging does a lot to make it feel more realistic, but the film suffers from an overstuffed script that was clearly influenced by the studio. Garfield is still very solid in the role of Peter and Emma Stone is perfect as Gwen, while DeHaan is a very welcome addition as the deluded and angry Harry. Jamie Foxx suffers through his turn as Electro though as the script and design of the effects does him no favors. Electro sports a poorly conceived look that never comes across as menacing, more like a goofy lower budget version of the Watchmen’s Dr Manhattan, and as Electro disappears from the film for long stretches he is not missed.
‘Parkland’ misses the mark on DVD
Dallas. November 22, 1963. 12:38pm. Wounded President John F. Kennedy is rushed to Parkland Memorial Hospital, where a frantic trauma team struggles in vain to save him. Precisely forty-eight hours later, the same personnel would attend to the President’s mortally wounded assassin, Lee Harvey Oswald. Adapting Vincent Bugliosi’s acclaimed non-fiction book Four Days in November, first-time writer-director Peter Landesman gathers a star-studded cast (including Zac Efron, Paul Giamatti, and Academy Award-winners Billy Bob Thornton and Marcia Gay Harden) to deliver an ensemble based procedural drawn from the accounts of the medical staff, investigators, and the ordinary citizens who witnessed the world-changing events first-hand.
Now in stores on DVD, audiences will not find anything new or integral to the JFK Assassination in Parkland, this is not that film. Instead it remains content to merely play out and display the actions of the bystanders of that act. Parkland does manage to present better on the home screen though as the benefits of home viewing, being able to step away easily and pause when required, greatly helps the watchability of a film that felt dull and overlong in theaters. Not everything works though as the film features a story thread involving the secret service agent who originally interview Oswald months before that either needs to be more fleshed out or excised all together as it remains very underdeveloped and awkward. This is a straight procedural in every sense of the word, there is little character history or backstory that is explored, just the events of the 4 days are displayed.
TIFF 2013: Parkland
Dallas. November 22, 1963. 12:38pm. Wounded President John F. Kennedy is rushed to Parkland Memorial Hospital, where a frantic trauma team struggles in vain to save him. Precisely forty-eight hours later, the same personnel would attend to the President’s mortally wounded assassin, Lee Harvey Oswald. Adapting Vincent Bugliosi’s acclaimed non-fiction book Four Days in November, first-time writer-director Peter Landesman gathers a star-studded cast (including Zac Efron, Paul Giamatti, and Academy Award-winners Billy Bob Thornton and Marcia Gay Harden) to deliver an ensemble based procedural drawn from the accounts of the medical staff, investigators, and ordinary citizens who witnessed the world-changing events first-hand.
You will not find anything new or integral to the JFK Assassination in Parkland, this is not that film. Instead it remains content to merely play out and display the actions of the bystanders of that act. The film in many regards just sits there as it does little to draw the audience into the proceedings, other than what the audience brings to it. The film also features a failed story thread involving the secret service agent who originally interview Oswald months before that either needs to be more fleshed out or excised all together as it just sits hanging through most of the film as an afterthought.
The film features some decent performances, Paul Giammati, James Badge Dale and Marcia Gay Harden are all great, and one terribly unconvincing and terribly dull performance from Zac Efron. Sadly Efron is front and center here as one of JFK’s surgeons and in the midst of the other more seasoned performers sticks out like a sore thumb. And it’s that thumb that nearly ruins the whole experience.
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