Invited to document the Stones’ US tour in support of their legendary album Exile on Main Street, Robert Frank forgoes the glamour on stage in favour of the everyday chaos of life in the wings, as the band and their assorted hangers-on (groupies, roadies and journalists) pursue various listless debaucheries to kill the boredom and homesickness of constant travel. Reportedly described by Mick Jagger as “a fucking good film … but if it shows in America we’ll never be allowed in the country again,” Cocksucker Blues remains one of the most raw and unfiltered accounts of life on tour ever recorded.
Director Robert Frank’s unflinching record of life on the road with the Rolling Stones remains one of the most notorious documentaries ever made, and one of the most impossible to see. A legal settlement with the band — who feared that their entourage’s onscreen antics could lead to public embarrassment and/or criminal prosecution — permits it to be screened only in very controlled circumstances (which makes this screening at the Lightbox a priceless rare event). Throughout the film though Jagger and Richards are very protected as whenever something illicit may happen, for example when Jagger goes to snort cocaine through a rolled dollar bill provided by Richards, the camera pans away to other action in the room.