TIFF 2013 Only Lovers Left Alive
TIFF 2013: Only Lovers Left Alive
Adam (Tom Hiddleston) is a reclusive, yet brilliantly talented and desired, rock star whose only wish is to avoid his adoring fans and write and play his music. Eve (Tilda Swinton) is his lady belle, who leaves her closest friend, Christopher Marlowe (John Hurt), to travel halfway around the world to be with her lover and live in a ramshackle mansion-cum-recording studio on the outskirts of Detroit. Their reverie is troubled, not just by the fans who close in on and keep vigil outside Adam’s hideaway, but also by Eve’s irascible sister (Mia Wasikowska), who it seems perpetually stuck as a rambunctious and untameable teenager despite being just as old as the rest of the vampires she`s connected too.
Director Jim Jarmush uses the guise of the thousands year old vampires to tell a story dripped in decay and gothic sensibilities. Jarmush`s vampires are in no hurry to do anything, who would be after living thousands of years and seeing pretty much everything you could imagine, and in the case of Adam and Eve can spend hundreds of years apart yet remain deeply in love. The Detroit setting turns out to be a genius masterstroke in story telling as the near abandoned buildings and decrepit setting provide the perfect backdrop for the angst ridden Adam to wallow in. The film is packed with nods to historical people and places and infers that the group, including Hurt`s Christopher, have been manipulating art and culture since the time of Keats, Shelly and even Shakespeare.
Equally a meditation of the lasting impact of art throughout history, Jarmush manages to get the most out of the majority of his talented cast. Wasikowska is lost and sadly ineffectual in her turn as the sister, yet her role is a brief and fleeting for the audience as what a hundred years must feel like for the rest of the characters. A brooding and creative piece, Only Lovers Left Alive is one of the biggest highlights of TIFF 2013.
Till Next Time
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Written and Directed by Heidi Ewing and Rachel Grady
The once bustling city of Detroit is a shadow of its former self. Starting back in 2010 when the economic downturn was in full swing, Detroit went from downturn to depression in a heartbeat. With the closures of local automobile production plants, the heart of Detroit’s manufacturing industry, other key business people started leaving Detroit in droves. Once one of the fastest growing cities in the world, Detroit now ranks among the highest cities in lost population over the last couple of years. While the families have moved on, the younger generation of bloggers and performance artist have now claimed it due to cheaper housing and access.
Detropia starts before the economic buyouts that turned around the auto industry in Detroit. These were the leanest of days, focusing on the few that stayed fighting and trying to rally the…
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