Marvel’s “Thor: The Dark World” continues the big-screen adventures of Thor (Chris Hemsworth) as he battles to save Earth and all the Nine Realms from a shadowy enemy that predates the universe itself. In the aftermath of “Thor” and “Marvel’s The Avengers,” Thor fights to restore order across the cosmos. But an ancient race, the Dark Elves, led by the vengeful Malekith (Christopher Eccleston) returns to plunge the universe back into darkness. To defeat an enemy that even Odin (Anthony Hopkins) and Asgard cannot withstand, Thor sets upon his most dangerous and personal journey yet, forced into an alliance with his treacherous brother Loki (Tom Hiddleston) to save not only his people and those he loves, but our universe itself.
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Thor: The Dark World easily surpasses it’s predecessor
CONTEST! Win passes for ‘Alien Boy’ at the Rendezvous with Madness Film Festival
Its contest time here again at the FIX and here is the second of 2 contests for passes to films at the upcoming 21st edition of the Rendezvous with Madness Film Festival in Toronto!
Rendezvous with Madness Film Festival started in 1993, and has evolved and grown into one of the world’s leading festivals showcasing edgy, thought-provoking films, video, media installations, symposiums and panel discussions on Canadian and international perspectives of mental illness and addiction.
CONTEST! Win passes for ‘Sole Survivor’ at the Rendezvous with Madness Film Festival
Its contest time here again at the FIX and here is the first of 2 contests for passes to films at the upcoming 21st edition of the Rendezvous with Madness Film Festival in Toronto!
Reel Asian 2013: Evangelion 3.0 (Dork Shelf)
ORIGINALLY PUBLISHED ON DORK SHELF
Evangelion: 3.0 You Can (Not) Redo is the third of four films released in the Rebuild of Evangelion tetralogy. Fourteen years after the third impact, Shinji awakens to a world he does not recognize. His body has not aged a single day. Earth lies in ruins, and those he once fought valiantly to protect have cruelly turned against him. Trapped in a harrowing cycle of death and rebirth, Shinji continues to courageously battle the angels—even as the world spirals down towards what could be a tragic end.
Over the almost 20 years since its inception, the Evangelion story has become incredibly dense in its own mythology and Evangelion 3.0 is no different. The film takes no time for anyone new to the series to indoctrinate themselves in the story (making this almost unreviewable to anyone without a doctorate in Evangelion), and while this will no doubt please fans of the expansive universe, it’s made for absolutely no one other than die hards. The story is very much a bridge to the final sequence, jumping around through scenarios and characters that add little clarifying context to the present story, or simply add subtext that will lead to the final film due later this year. It’s visually stunning, though, as the mixture of classic animation style and computer generated environments works very well.
Leto outshines McConaughey in ‘Dallas Buyer’s Club’
Dallas Buyers Club
When Texan cowboy Ron Woodroof (Matthew McConaughey) is diagnosed with HIV, he is prescribed a highly toxic drug and given thirty days to live. Refusing to accept this death sentence, Woodroof taps into the world of underground pharmaceuticals and becomes a kingpin of an unapproved alternative treatment that is both restorative and life extending. His crash course of research reveals a lack of approved treatments and medications in the U.S., so Ron crosses the border into Mexico. There, he learns about alternative treatments and begins smuggling them into the U.S., challenging the medical and scientific community including his concerned physician, Dr. Eve Saks (Jennifer Garner). An outsider to the gay community, Ron finds an unlikely ally in fellow AIDS patient Rayon (Jared Leto), a transsexual who shares Ron’s lust for life. With a growing community of friends and clients, Ron fights for dignity, education, and acceptance.
‘About Time’ delivers much more than expected
Originally Published at Entertainment Maven
New in theaters this weekend from Universal Pictures is the latest film from writer/director Richard Curtis, “About Time”. Curtis’ third stab behind the camera after the wildly successful “Love Actually” and the disappointing “Pirate Radio” (aka The Boast that Rocked) plays like the majority of his scripts about many relationships and how they intersect, but at its core is a genuinely moving and convincing tale of love between and father and son.
About Time
Starring Domhnall Gleeson, Rachel McAdams, Bill Nighy, Lydia Wilson, Lindsay Duncan, Tom Hollander and Will Merrick.
Written and Directed by Richard Curtis
At the age of 21, Tim Lake (Gleeson) discovers he can travel in time after Tim’s father (Nighy) tells his son that the men in his family have always had the ability to do so. Tim can’t change history, but he can change what happens and has happened in his own life so he decides to make his world a better place, by getting a girlfriend. Moving from the Cornwall coast to London to train as a lawyer, Tim finally meets the beautiful but insecure Mary (Rachel McAdams). Tim quickly learns though that time travel has rules and implications as an unfortunate time-travel incident means he’s never met her at all. So they meet for the first time, again and again, until finally he wins her heart. But through trials, triumph and heartbreak, Tim realizes that life is harder and much more satisfying all on its own without time manipulation.
Toronto After Dark 2013: The Battery (Examiner)
Two former baseball players, catcher Ben (Jeremy Gardner) and pitcher Mickey (Adam Cronheim) cut an aimless path across a desolate New England. They stick to the back roads and forests to steer clear of the shambling corpses that patrol the once bustling cities and towns. Ben embraces an increasingly feral, lawless, and nomadic lifestyle while Mickey is unable to accept the harsh realities of the new world and longs for the creature comforts he once took for granted. When the men intercept a radio transmission from a seemingly thriving, protected community, Mickey will stop at nothing to find it, even though it is made perfectly clear that he is not welcome.
The Battery is so much more than just another low budget zombie film and is in fact one of the most refreshingly new takes on the subject matter to come out recently. Read the rest of this page »
Toronto After Dark 2013: Eega (Addicted)
Sudeep (Kiccha Sudeepa) is a high profile industrialist who gets whatever he wants and he has a special eye for beautiful women. To get them, he will not hesitate to do anything. That desire gets triggered when Sudeep sees Bindu (Samantha Prabhu), a micro artist who runs a non-profit organization. Bindu, however, has long flirted and been in love with Nani (played by Nani), who keeps following her everywhere. The story takes a turn when Sudeep discovers the pair is in love and in a rage he kills Nani. But 10 days later Nani is born again as ‘Eega’ (fly) and he vows to take his vengeance on Sudeep. Read the rest of this page »
Toronto After Dark 2013: Willow Creek (Dork Shelf)
ORIGINALLY PUBLISHED ON DORK SHELF
Straying off California’s “Bigfoot Scenic Byway,” Jim (Bryce Johnson)—an avowed Sasquatch believer—and Kelly (Alexie Gilmore)—his less-than-convinced girlfriend—take in the surreal sights of Willow Creek. The tiny community is a stone’s throw from where the infamous Patterson-Gimlin Bigfoot footage was shot in the 1960`s. After lunching on “Bigfoot burgers,” admiring comical murals and listening to balladeers celebrate the ‘squatch in song, the couple embark on an ill-advised venturing into the woods in search of the unknown. When they inevitably find themselves lost the beast of the forest quickly descends upon them.
Bobcat Goldthwait’s Willow Creek is quite the anomaly. The first half of the film is an almost excruciatingly paced examination of Bigfoot culture which features our leads wandering aimlessly performing interviews and filming first hand footage incessantly. No momentum is gained until the pair is in their tent, lost in the woods, and camped for the night. The following 19 minute steadicam shot (with only a single edit in the entire piece) is masterfully executed and directed, and it ranks among the tensest scenes of the year. The performances from Johnson and Gilmore sell the story perfectly here as their work is almost entirely ad libbed and totally believable.

